Velodyne Digital Drive plus DD-1 5+ Bedienungsanleitung PDF herunterladen (Seite 3)

Once pr

o

But the

D

controls,

is more l

engaged

,

volume

c

b

ecause

i

stage usi

n

reductio

n

With no

repeatab

l

impossi

b

calibrati

o

Cambrid

The Dac

M

panel bu

t

Cambrid

b

oth the

p

means t

h

through

t

type of f

i

some pr

e

b

ands.

U

however

,

exhibits

n

for stop

b

the very

h

very ste

e

22kHz b

y

setting s

o

a given i

n

o

perly confi

g

D

acMagic d

o

which are i

n

i

ke a switch

,

it takes a

m

c

ontrol will

f

i

t isn’t an a

n

n

g Anagra

m

n

.

d

ots, numb

e

l

e, matche

d

-

b

le. Some p

o

o

n, but for n

o

g

e Audio D

a

M

agic Plus

o

t

ton: linear

p

g

e Audio, “

T

p

ass and st

o

h

at audio sig

n

t

he filter. Al

i

lter is that

d

e

-ringing.”

T

U

nlike the Li

n

,

phase shift

n

o pre-ringi

n

b

and attenu

a

h

ighest freq

u

e

p attenuatio

n

y

some 80d

B

o

unds best

w

n

put is sele

c

g

ured the D

a

o

es have on

e

n

some way

. When you

m

oment for t

h

f

eel cheap.

B

n

alog or bit-

r

m

Q5 adapti

v

e

rs, or indic

a

level comp

a

o

tential user

s

o

rmal every

d

a

cMagic Pl

u

o

ffers three

d

p

hase filteri

n

T

he Linear

P

p bands, an

d

n

als of all fr

l

audio is th

e

d

ue to intern

a

T

he minimu

m

n

ear Phase

f

is low and

t

n

g.” Finally

a

tion of clos

e

u

ency respo

n

n

just outsi

d

B

.” Cambri

d

w

ith differen

t

c

ted a partic

u

a

cMagic Plu

e

ergonomic

directly co

n

turn it, it fe

e

h

e volume k

n

B

ut the reas

o

r

eduction di

g

v

e time filter

i

a

tors to tell

a

a

risons betw

e

s

will not ca

r

d

ay use I di

d

u

s rear panel

d

ifferent di

g

n

g, minimu

m

P

hase filter i

d

what is kn

o

equencies a

r

e

refore full

y

a

l fee

d

-for

w

m

phase filt

e

f

ilter, group

d

t

he particula

the Steep fi

l

e

-in aliasing

n

se (-2dB a

t

d

e the pass b

d

ge Audio e

n

t

material.

E

u

lar filter wi

s performed

quirk: its v

o

n

nected to a

n

e

ls loose an

d

n

ob to resp

o

o

n the volu

m

g

ital control

l

i

ng to acco

m

a

user what t

h

e

en inputs

w

r

e for the vo

l

d

n’t find the

g

ital filter se

t

m

phase filte

r

s a highly r

e

o

wn as cons

r

e always d

e

y

time-coher

e

w

ard in the D

e

r “offers ev

e

d

elay is not

r

benefit wi

t

l

ter “is a lin

e

images. He

r

t

20kHz) an

d

and. The St

e

n

courages u

s

E

ach input c

a

ll be emplo

y

d

perfectly t

h

o

lume contr

o

n

attenuator,

d

sloppy be

fo

o

nd. To som

e

m

e control fe

l

er but a DS

P

m

plish gain

r

h

e relative

v

w

ith differen

t

lume knob’

s

y were a se

r

t

tings that c

a

r

ing, and st

e

e

garded aud

i

tant group

d

e

layed by th

e

e

nt at the o

u

D

SP, its imp

u

e

n lower rip

p

constant so

t

h this filter

e

ar phase fil

t

re we have

t

d

a little mo

r

e

ep filter is

a

s

ers to expe

r

a

n have a di

f

y

ed.

h

roughout th

o

l. Unlike

m

the DacMa

g

fo

re it engag

e

e

prospecti

v

els the way

P

driven di

g

r

eduction w

i

v

olume leve

l

t

levels was

s

feel and la

c

r

ious issue.

a

n be chang

e

e

ep filtering.

i

o filter offe

r

d

elay. Const

a

e

same amo

u

u

tput. The tr

a

u

lse respons

e

p

le in the p

a

so

m

e time

c

is that the i

m

ter that has

b

t

raded a littl

e

r

e pre- and

p

a

ble to atten

u

r

iment to he

a

f

ferent filter

e review pe

r

m

ost volume

g

ic Plus con

t

e

s. Once

v

e users this

it does is

g

ital domain

i

thout bit-

l

is, doing

nearly

c

k of level

e

d via a fro

n

According

r

ing low rip

p

a

nt group d

e

u

nt when pa

s

a

de-off with

e

will exhib

i

a

ss and stop

c

oherence is

m

pulse resp

o

b

een optimi

z

e

attenuatio

n

p

ost-ringing

u

ate aliasin

g

a

r which filt

e

setting so

w

r

iod.

t

rol

gain

n

t

to

p

le in

e

lay

s

sing

this

i

t

lost;

o

nse

z

ed

n

of

for a

g

at

e

r

w

hen

1 2 3 4 5 6 7 8

Kommentare zu diesen Handbüchern

Keine Kommentare